hi frits and folks π
maybe this could already be done and I’m missing something so please be forgiving.
i guess this is a standard situation while mixing audio material: after recording some audio files I’m going to add a few FXs. I’m doing this in the mixer. After half an our of mixing I discoverd that the FXs are not “post fader” so they are inserted after the whole audio track. this means that a limiter after the track would have no effect when you turn down the volume slider in the mixer.
after playing around with this nice piece of software I discoverd that volume sliders and panners can be enabled/disabled for every (fx)-track. the point is: is it possible that the mixer panners and sliders are always associated with the last inserted effect? disabling and enabling these parameters is a little bit time comsuming and uncomfortable. maybe this could be implemented as a mixer option. if this option is activated with every new effect track the mixer shows the pan/fader of the last inserted effect and maybe disables the rest.
to bring it short: I’m talking about real insert effects (almost every DAW handles effect in this way)
nice greetings!
Hi ronin,
The lack of an easy pre/post-fader setup have been brought up quite a few times now, so I think I’ll make this my next development task.
As you have found out with the per-track options for gain/pan, tracks can be set up to support not only pre/post faders but also inbetween and multiple faders at different points in the effect chain on a track. What’s missing are simple commands for switching between pre or post fader, as this is probably the only two configurations that most users ever need.
I could add a “Default fader mode” option to the arrangement properties dialog (below the mono panning setting). The choices for this mode will be “Pre effect chain” and “Post effect chain”. When new tracks are created and the first effect is inserted in the chain, then this default mode will determine whether the gain/pan should stay on the lane track (pre) or move up above the inserted effect (post). For tracks that have an effect chain, the properties submenu in the track menu will have either “Move fader pre chain” and “Move fader post chain” commands, so that you quickly can swap the fader mode for each individual track.
Does that sound like a good solution?
How the mixer should display the pre/post logic is another issue.
Indeed, this sounds like a good solution! thanks for your reply. I’ve searched the forum for this topic but I came up with nothing. maybe I’ve searched the wrong terms π
how a about a small button/indicator named AFX(after-FX)/PFX(pre-fx) on the left upper corner of the mixer-track lane…but maybe in this case the panner should be moved “into” the fader part of the lane (so its not separated with a line)
p.s.: there is another small thing I’d like to point out: drag and drop FX reordering. currently the behaviour is copy & replace if you reorder the fx chain via d&d. is this behaviour somehow customizable? are there other opinions about that?
good night everyone
After reading a bit, I’ve found that there is a third fader configuration that is widely used, namely post-fader bus sends. This is often preferred because you then maintain the wet/dry ratio of the effect on the bus when you adjust the track gain.
So the new commands I have for the track menu are:
“Set Fader After Effect Chain”
“Set Fader Before Bus Sends”
“Set Fader Before Effect Chain”
Depending on whether there are any bus sends in the chain of course. I’ve tried with descriptive menu texts instead of using the words pre- and post-fader. When reading manuals using the word “pre-fader” I’m often unsure of whether it’s the fader that is pre, or the effects that are pre.
Anyone else have opinions/suggestions for this?
this is also a good idea but I guess there are some problems.
since you can add multiple sends wherever you want (which is an ingenious feature of podium) it would be no good idea to move all sends after the fader with the “post-fader sends” option. in this case you are modifying the signal flow. maybe you’ve wanted to have one post-fader send and one pre-fader send. so which one to use for fader/pan? what should the option do? I have no good idea on that.
the pre/post FX level/pan is simple in that way that you only have to switch between the last fx and the “data track”
Hi ronin,
@ronin wrote:
Indeed, this sounds like a good solution! thanks for your reply. I’ve searched the forum for this topic but I came up with nothing. maybe I’ve searched the wrong terms π
Yes something along the lines of your request has been discussed in an older thread hereand a more recent thread here.
how a about a small button/indicator named AFX(after-FX)/PFX(pre-fx) on the left upper corner of the mixer-track lane…but maybe in this case the panner should be moved “into” the fader part of the lane (so its not separated with a line)
A Pre / Post button of sorts is a good idea, I have put together a mock up for Frits and everyone else to see below…
@ Frits…
The lack of an easy pre/post-fader setup have been brought up quite a few times now, so I think I’ll make this my next development task.
Thanks!
As you have found out with the per-track options for gain/pan, tracks can be set up to support not only pre/post faders but also inbetween and multiple faders at different points in the effect chain on a track. What’s missing are simple commands for switching between pre or post fader, as this is probably the only two configurations that most users ever need.
I could add a “Default fader mode” option to the arrangement properties dialog (below the mono panning setting). The choices for this mode will be “Pre effect chain” and “Post effect chain”. When new tracks are created and the first effect is inserted in the chain, then this default mode will determine whether the gain/pan should stay on the lane track (pre) or move up above the inserted effect (post). For tracks that have an effect chain, the properties submenu in the track menu will have either “Move fader pre chain” and “Move fader post chain” commands, so that you quickly can swap the fader mode for each individual track.
Does that sound like a good solution?
How the mixer should display the pre/post logic is another issue.
That sounds like a good idea but…I would say that each track must have a pre post fader button/s. That way a user can easily see if a particular track is pre or post fader…especially if a user has tracks in an arrangement that use different fader options for different tracks in a chain.
I certainly would *not* want to have to remember where each fader is set to control / display in a chain. A simple button for Pre and Post on each track should solve that issue. See image.
Additional points about the mock up…
I also added a Trim button and showed how that might fit into the mixer strip as well. A button for phase is also there. I really think if you are looking at adding Pre post options I do think it would be a great idea to also add a realtime db value to mixer strips, as indicated in the image the 12.5 db value is not the same as the 18.5db fader value.
This is deliberate to highlight a problem Podium has with not being able to show you exactly what the actual reading of tracks output is at any time with a db value. The meters are for a very simple glance but there is no way one can be expected to use the db values on the strips as guides, as they are still not clear enough and quite small (tiny even) in relation to text elsewhere.
The 12.5 db value in the image (above) represents what would be the true and constantly updated value for that track.
You could also add additional options for the Trim function in Podium (Trim range for instance) as you can see here…
To see the screen above just click on the Sonalksis Logo…on the front panel (below)…it will turn white when touched, simply click it to see the various options it offers on the back panel.
@ronin wrote:
this is also a good idea but I guess there are some problems.
since you can add multiple sends wherever you want (which is an ingenious feature of podium) it would be no good idea to move all sends after the fader with the “post-fader sends” option. in this case you are modifying the signal flow. maybe you’ve wanted to have one post-fader send and one pre-fader send. so which one to use for fader/pan? what should the option do? I have no good idea on that.
the pre/post FX level/pan is simple in that way that you only have to switch between the last fx and the “data track”
Note that these commands will not shuffle the tracks. It’s just shortcuts for moving the “enable gain/pan” options and their associated values from the properties of one track to another track in the chain. So the command for setting the fader before bus sends will simply set the fader on the first effect track before the first bus send track in the chain.
Can you explain why you want a trim control?
To me it seems to be nothing more than an additional gain control. I see no point in having two gain controls on each track. If the issue is with the adjustment of the existing gain value, then that should be solved by a configurable UI, not by adding a second gain control/value.
@Zynewave wrote:
Can you explain why you want a trim control?
Hi Frits,
He He π
Well..many hosts e.t.c have two gain controls but they are not duplicated in function. One controls the input (typically Pre effects) the other Volume fader controls the output level effectively Post effects. But crucially they are always visible on the same track.
This is the key reason why I am requesting it. Not that Podium cannot operate that way already but the current visual representation is the main reason for the FR. Maybe this is what you meant by a “configurable UI”?!?
Trim usage is a widespread and standard approach to mixing (which I am sure you know of). It is not in any way a new or somewhat niche idea. It has been around for decades. So it’s not really a case of me wanting it because I think it is something that will only help my workflow but is alien to anyone else π , but rather having a Trim (input control) and Volume fader (outptut control) *on the same track by default (or optional) is a standard set up for a track in a professional mixing evironment. It’s not a new or radical thing.
Samplitude, Cubase, Sonar e.t.c all have this set up in their mixers.
Podium is exteremely flexible in that you can add gain faders anywhere (maybe still the only host that allows this) but IMO it would help to make it clearer and easier, to mimic (at least in this way) a professional mixer or console by having a Trim function (gain to control input) by default or optionally visible on a track along side the output volume fader.
I see no duplication or problem with two gain controls on a track. They serve different purposes and have done so for many years this way in various hardware and software set ups.
If the issue is with the adjustment of the existing gain value, then that should be solved by a configurable UI, not by adding a second gain control/value.
Hopefully the explanation given above answers your questions. Again it’s not Podium being unable to operate in the same way as a mixer with Trim controls it’s just the way it’s visually represented. π
… “a configurable UI”. What did you have in mind?
I agree with the three fader options mentioned. they are all usefull and two things should be done for this feature.
1 a default settings which should be set in the preferences. (or maybe in the arrangement setup)
2. a button which toggles and visualizes this setting on the track lane. Conquistador mentioned this in his post.
switching the phase is indeed useful but personally i don’t need this very often. maybe an option in the audio editor is enough cuz too much buttons make ronin go crazy π (I don’t know if this is already present…I’m not at home right now and can’t take a look)
the possibilities for metering have already been discussed and i guess frits is already aware of this.
i think a better alternative to the trim button would be a more modifiable envelope on the objects/events. there are already handlers for fade in and fade out and as far as i remember it is possible to drag this envelope in the negative (downwards) direction but not in the positive. dragging upwards could boost the objects gain and a small tooltip could visualize the amplification. how about that? should be easy to implement π
@ronin wrote:
i think a better alternative to the trim button would be a more modifiable envelope on the objects/events. there are already handlers for fade in and fade out and as far as i remember it is possible to drag this envelope in the negative (downwards) direction but not in the positive. dragging upwards could boost the objects gain and a small tooltip could visualize the amplification. how about that? should be easy to implement π
Hmmmmm…what you are describing sounds very similar to the existing horizontal clip gain control. π
“dragging upwards could boost the objects gain and a small tooltip could visualize the amplification.”
You can already reduce a clips gain or boost it all the way up to +12db if you want to. The waveform will also visually change to reflect your changes. Just drag up or down from the top of a clip once you see a double arrow.
There is more info in this release topic for 1.73 with a more detailed discussion on fades here on a preview thread.
@Conquistador wrote:
Trim usage is a widespread and standard approach to mixing (which I am sure you know of). It is not in any way a new or somewhat niche idea. It has been around for decades. So it’s not really a case of me wanting it because I think it is something that will only help my workflow but is alien to anyone else π , but rather having a Trim (input control) and Volume fader (outptut control) *on the same track by default (or optional) is a standard set up for a track in a professional mixing evironment. It’s not a new or radical thing.
Samplitude, Cubase, Sonar e.t.c all have this set up in their mixers.
I’m familiar with the purpose of input trim controls on hardware mixer consoles. I did not realize that you were referring to trim as input gain, as that is not the purpose of the trim control on the FreeG plugin that you often refer to. The hosts you list above are more or less designed to mimic hardware mixers, so I can understand why they implement trim controls. But hardware-emulation is as you know not the focus for Podium.
Podium is exteremely flexible in that you can add gain faders anywhere (maybe still the only host that allows this) but IMO it would help to make it clearer and easier, to mimic (at least in this way) a professional mixer or console by having a Trim function (gain to control input) by default or optionally visible on a track along side the output volume fader.
I see no duplication or problem with two gain controls on a track. They serve different purposes and have done so for many years this way in various hardware and software set ups.
I probably misunderstood you. I thought you suggested adding another “Trim gain” setting to the track properties, which would be a bad idea. Your scenario could be constructed as follows: An audio track with the input assigned and gain enabled, which would be the “Trim” gain. On the last effect track in the effect chain the gain would also be enabled, which then would be the output fader. You can choose to show the mixer strip for both the input track and the last effect track, and then you have your two gain controls, with the added bonus of having meters for both the input as controlled by the trim gain, and the final track output.
Btw. You’ll be happy to learn that today I implemented:
β’ Meters in the mixer now show peak hold values. This can be enabled with the “show peak hold values” option in the mixer region properties dialog. Clicking the peak hold value box will reset the value. Double-clicking any peak hold value box will reset the value for all mixer strips.
@Zynewave wrote:
I’m familiar with the purpose of input trim controls on hardware mixer consoles. I did not realize that you were referring to trim as input gain, as that is not the purpose of the trim control on the FreeG plugin that you often refer to.
Tee Hee π I agree it is not the best example to illustrate my poiint. Hitting the Free G Pre button will show you the input signal without the Trim and Fader changes taken into account (even if they have been adjusted) so the Trim in Free G by default is indeed Post not Pre. Even though Sonalksis themselves do refer to it as an “input control” in their Free G PDF, which it still is but not in the way I was describing in other hosts. It is a type of Post Trim control.
The main reason however for using Free G as an example was more so as an optional mixer strip layout not because of a current lack of functionality in that area as I pointed out earlier. The Trim idea was more to do with layout than function, hence the the visible Trim addition to the mixer strip in the mock up image.
I think Sonar’s set up would have been one of the better examples to illustrate my point in hindsight. Sorry.
The hosts you list above are more or less designed to mimic hardware mixers, so I can understand why they implement trim controls. But hardware-emulation is as you know not the focus for Podium.
Correct yes. And perhaps in this case it is best left that way. An optional layout would have been nice but Podium thankfully does not have a fixed track set up or type (a huge advantage) as tracks can be pretty much anything you want them to be at any part of the chain. So perhaps in this case it really is better left as is frankly. 8)
I probably misunderstood you. I thought you suggested adding another “Trim gain” setting to the track properties, which would be a bad idea. Your scenario could be constructed as follows: An audio track with the input assigned and gain enabled, which would be the “Trim” gain. On the last effect track in the effect chain the gain would also be enabled, which then would be the output fader. You can choose to show the mixer strip for both the input track and the last effect track, and then you have your two gain controls, with the added bonus of having meters for both the input as controlled by the trim gain, and the final track output.
Ha! I thought you would suggest this as it is exactly the approach I use already LOL!
It is highly flexible but again the Trim idea was for a layout option more than anything else as I stated earlier the functionality is already in Podium. But I agree with your sentiment about Podium’s focus not being hardware emulation.
While emulating some aspects of hardware is great in software, and sometimes cannot be avoided (a mixer in most cases) I do know for instance that Logic (older versions) make use of a Gainer plugin that would provide the same functionality as a track in Podium with a gain dial providing input or output adjustment. But because Podium uses tracks, (that can change function anywhere in a chain) and not a gain plugin, Podium IMO offers a far more powerful and flexible approach.
Btw. You’ll be happy to learn that today I implemented:
β’ Meters in the mixer now show peak hold values. This can be enabled with the “show peak hold values” option in the mixer region properties dialog. Clicking the peak hold value box will reset the value. Double-clicking any peak hold value box will reset the value for all mixer strips.
Yes, I am *very happy* to learn of this new implementation! π Thanks! I like the fact that you also added a full reset for all track Peak values by double clicking any Peak Hold Value box. Extremely useful in a project with high track counts and a clever way to reduce clicking in Podium.
Now that you are working in this area I have to ask…
Would you also consider RMS metering? Maybe right clicking the Peak output to switch or an additional option in the Mixer region properties?
You also mentioned K- metering as something you had been meaning to look into some time ago, on this thread. Even if it was just added to the Master track as an option it would be very useful.
Fritz,
Thanks for taking on metering and providing a easier way to view levels post-effect. This has been a source of workarounds for me.
Paul
@Conquistador wrote:
Hmmmmm…what you are describing sounds very similar to the existing horizontal clip gain control. π
whoops…exactly like tihs π³ as I said: I wasn’t at home and couldn’t take a look π
thank you frits for the metering and the pre/post stuff!