Topic: Nasty Bug Found in Pro Tools 10

Viewing 3 posts - 1 through 3 (of 3 total)
  • #2822
    The Telenator
    Participant

    Right, then . . . you pay your $7500 to $19,000 (US dollars, and depending on your choice of setup) for the “Advanced DSP Processing Like Nothing You’ve Ever Seen!” and a “whole new level of Pro Tools HD” and you get the nasty bug for free. They claim “the industry standard just got even better!” Don’t know about that, but it did get a nasty type of bug.

    Scroll to bottom for your best price: http://www.sweetwater.com/feature/avid-hdx/

    One of the reasons I’m posting this notice is because this particular bug is one of the most insidious and difficult to notice if you are doing loads of studio work and perhaps not paying as close attention as you should — or perhaps counting on your mix busses to work properly every time, not just on Tuesdays.

    AVID will certainly have to fix this, and I wonder of it can come as a hot fix, or will it require a half day of making a full reinstall?

    But the real terror is that some engineers have thought they had been hearing some slight phase shifts for some time now but couldn’t attribute it to a source. That means those mixes went out of studio! Follow that one with a track to buss missing now and then, but not always, later in the project (details in the linked thread).

    http://www.gearslutz.com/board/music-computers/764717-pt-hd-tdm-10-2-buss-bug-found-multiple-unrelated-studios.html

    Gee, maybe it’s a PT-specific virus. Oh, pity. Call me cheap — and I’ve never objected to working with PT — but you’ll never catch me buying any of this overpriced rubbish. I much prefer the much more modestly priced bugs that pop up readily and can be fixed and posted here in a day or two. (Bet you that the GearSlutz thread mushrooms and runs a full month!) Nasty.

    Cheers!
    Tele

    #22306
    kim_otcj
    Participant

    The more I learn about ProTools, the less appealing it is to me. Avid drops the ball on way too many things. It says something when a one-man outfit like Zynewave can deploy 64-bit before the “industry leading” program.

    At places like Gearslutz, you see an awful lot of people turning their noses up at digital recording and clinging to their old analogue setups. I’m half convinced it’s because their only experience of digital recording is with ProTools.

    #22312
    Cris17
    Participant

    I wouldn’t buy ProTools for anything in the world. I bought an AVID midi keyboard and it came with ProTools Lite or smth like that. It was so slow and troublesome. Podium blows it away.

    But hey. ProTools is the “industry standard”. So that gives it a +500$ to its value.

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