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Viewing 15 posts - 76 through 90 (of 206 total)
  • in reply to: Preview 2.09: Piano roll editor updates #14002
    Pigini
    Participant

    @druid wrote:

    If you don’t do it this way, then I ask what happens if they then stretch the longer note even smaller while the small one remains unchanged, and then stretch it out again? Then both notes could end up the same size, if you stretched the 3 length one to 0, which would also reduce the 2 length one to 0, and then stretched out by 2, would the long AND short one be length 2, or would the longer one be length 2 and the shorter one only 1, maintaining the same distance between them?

    The values get set when you release the mouse button, if you don’t like the result, you would undo it first and do the resize again. As long as the mouse button is constantly pressed, the original sizes (ratio) are not messed up.

    @druid wrote:

    As for maintaining a ratio, I suppose that could be useful in some instances, but I think in too many cases it could be unwanted. I have often, when composing, gone to reduce all notes in a clip by, say a quarter length, no matter their length. Ratio stuff means I would then need to select notes only of that same length to adjust them, or I will get unexpected results for me.

    So what you do often, is what I called
    “relative: subtract the same amount from every note, like from the changed note”
    in the examples above. Would be good to have that.

    The proportionally scaling, however, I think, gets used even more often.
    I usually need it to scale the durations according to the sound with which the notes get played. With many sounds, you need the notes quite a bit shorter than they are and the best point lies often between standard values.

    If you need to keep the original unmodified sequence, copy it to another (muted) track. …(hmmm wouldn’t it be better keeping it on an inactive layer? or better: let the original sequence untouched, have edited events on different layers on top of the original ones automatically. 😉 )

    in reply to: Preview 2.09: Piano roll editor updates #13999
    Pigini
    Participant

    @Zynewave wrote:

    Next up is resizing all selected notes when using the mouse to resize one of the selected events. One question though:

    Say you have two note events selected, one longer than the other. What should happen if you click the longer note and drag the size shorter than the other selected note. Should the shorter note be deleted, or should it be set to zero duration producing only a short click when played back?

    I think it should shorten until a certain minimum is reached. If quantization was on, setting the minimum to the quantization value sounds fine, if not the minimum could possibly be defined somewhere where it could be changed, if needed. Does not need a prominent place in the preferences, the default could be something practical for most (1/128 note?).
    Setting it to zero duration or deleting the note sounds not very desirable to me.

    Another thing about changing durations for multiple selected notes:
    I remember in muzys after resizing a box appeared, where one could choose how the duration change should be done.
    absolute: sets durations of all selected notes to the value of the changed note.
    relative: subtract the same amount from every note, like from the changed note.
    percent: that’s the thing most hosts have, it scales every selected note proportionally.

    Maybe in podium a similar choice of behaviours could be included?

    edited:spelling

    Pigini
    Participant

    a good read @wikipedia about software versioning:
    http://en.wikipedia.org/wiki/Software_versioning

    in reply to: Preview 2.09: Piano roll editor updates #13990
    Pigini
    Participant

    @pavouk100 wrote:

    @Pigini wrote:

    whatelse could be done with layers?
    – layer clips could be “transparent” (adding to the events underneath) or “opaque” (replacing events underneath it).
    – “clipped” draggable edges, so the sequence within it could be bigger, the clip range working like a selection window. (it might only show a part of whats on the layer)
    – could be merged

    But IMHO all this can be achieved by putting separate events into child tracks of the track with VSTi, everything needed is already present. Sorry for being in that ‘do not add overlapping or duplicate features’ crowd again 😉

    😈 Arrgh, Restistance is futile! 😈 (always wanted to do that..)

    🙂 No prob, I first thought it could all be done with tracks myself.

    …but then I realized, they are just not as good a solution for some tasks, for others they are not suited at all. (There are 2 posts about possible tasks for layers, and there are surely many more poss., I did not think of)

    I don’t have the time right now to elaborate on that in detail. But one thing is, creating a huge amount of tracks in track view and in the mixer, when I just don’t need or want them, really is an unnecessary bloating and crowding with tracks.
    (I know, I could do many things to stuff them away, making it look slimmer. But the point is, for the tasks, I’m thinking of, you never want or need them in the first place, with all the mixer channels etc.)

    I think including layers would be a major feature and mean quite a big amount of work for Frits, but IMHO they would fit into Podiums basic concept, adding a third dimension to it. I see it like another basic element, to open up lots of ways to use it and to combine it with other elements in podium.

    I’m not “urging” the whole layer stuff into the discussion, but as a possible thing, that could be added to the piano roll, I felt it belonged into “our bag of ideas”.

    Edit: In all the references regarding possible uses of layers, I was exclusively thinking of advanced fiddling with the midi data in the piano roll. Maybe that was not completely clear.

    in reply to: Preview 2.09: Piano roll editor updates #13984
    Pigini
    Participant

    Looking at the quickbutton panel, it occured to me, that it is ideal for disabled/handycapped ppl and would be even better suited if the CTRL and ALT were added there aswell.

    Imagine, how much composing music, would mean to you, if you were lying in bed and could only move one hand, and could do everything in a host software like anyone else, without limitations, no hidden special options, which you could not access by the mouse alone. I don’t think any major host ever cared about that. Podium could get lots of free PR by being covered in articles aimed at that clientel, maybe could be even recommended for rehab projects.

    ..and just how easily could any one of us end up with a broken arm for a while.

    Possible slogan:
    “Podium – the only vst-host, you really can operate single-handedly.”

    in reply to: Preview 2.09: Piano roll editor updates #13982
    Pigini
    Participant

    Just had a quick look using the beta with the usb-sticked podium, that I can use on my work computer.
    The button panel really does the trick for me.
    Inputing and editing notes is an absolute joy now, and you found a great place to put the buttons.
    Can’t wait having a real session with it on my music computer.
    Thank you!!! 🙂

    Pigini
    Participant

    @jpleong wrote:

    We could also attach cute names to accompany each .[revision] such as fruits or types of canines and include a pertinent cartoon logo for each.

    Seriously?
    Does the jp in your nick stand for Japanese? 😉

    Pigini
    Participant

    @H-man wrote:

    With all respect to Pigini’s idea, I don’t really like the idea of going form 2.09 to 2.35 to 2.416 (?) etc. I get what it means, it just feels strange.

    MuLab went from 2.02 to 2.5 mainly for adding rewire support, a major feature, quite some bit of work I suppose. Podium modestly only went from 2.01 to 2.02 for that.
    I mean the versioning should reflect the amount of work and changes better. Wasn’t that the idea of version schemes, once?
    You could easily see, if there were many features added or mainly bugfixes.

    Pigini
    Participant

    @Zynewave wrote:

    Build 211, Build 212, Build 213. Essentially just continuing the current numbering without the decimal point. But I have already regretted my use of the word “build”. This is often used as an internal counter of developer compilations.

    That numbering looks to me as if you scratched the 0. part of an alpha numbering scheme to make it look better.

    Pigini
    Participant

    I would not bother so much about a completely new version numbering.
    I think the current one is absolutely ok. It’s incremental, ongoing, in a way versioning was originally meant do be.

    What I never understood was, how some ppl expected major changes, going from 1.99 to 2.0. You are giving us all the inbetweens, instead of secretly working for half a year on a bigger stepping, so logically going from 1.99 to 2.0 had to be an incremental step.

    If you compare 1.0 to 2.0, you do have a major difference in features, much more than you would usually see in other apps, that inflate the whole versioning scheme just for PR. (Just look at energy-xt, selling a 2.5 version for showing off, based on an August 2008 beta, while a 2.07beta was released in november 2008.)

    But what you rightfully could and should do (IMHO) is, let every small feature change do a count on the version clock.
    Then you could have 2.09 being followed by 2.30, having each single improvement in the piano roll do a step on the version meter.
    Or count a 0.01 step for a bugfix, 0.1 for an added feature or change.
    Right now, the version number does not show the amount of improvements.

    The numbering scheme itself does not need to be reinvented, only weighted.

    Alternatively, if you absolutely want the year in it, call it “Podium 2009” and carry on with the ususal versioning in the about box.

    in reply to: Restricted to Podium license owners
    Pigini
    Participant
    This content is restricted to Podium license owners.
    in reply to: Preview 2.09: Piano roll editor updates #13928
    Pigini
    Participant

    @H-man wrote:

    BTW, the layers idea I quite like. For someone who has been trying to finish a skin for a plugin for six or so weeks, I would have to say that it vastly changes the creative paradigm.

    It might be a harder one to code, but it seems the best choice for integrating some creative fiddling into podium in a way that fits podiums workflow best.

    whatelse could be done with layers?
    – layer clips could be “transparent” (adding to the events underneath) or “opaque” (replacing events underneath it).
    – “clipped” draggable edges, so the sequence within it could be bigger, the clip range working like a selection window. (it might only show a part of whats on the layer)
    – could be merged

    in reply to: Extend Podium’s track hierarchy concept #13923
    Pigini
    Participant

    @pavouk100 wrote:

    IMO, the main Podium strength is how cute, contained, small, well-thought-out it is. Frits does great job keeping all new added features minimal, cute and unobtrusive – there is not many things you need to learn to be able do all you need. This is because there is rather small amount of basic ‘features’ – basic building blocks, but they can be combined together very nicely, and interact in the way as you expect. This is usually not the case of big SW bloated with thousands of specialized complex functions.

    I could not agree more and that’s exactly why I think that idea is so great.
    It is merely an additional routing rule for those building blocks.
    It actually offers great possibilities without the need for specialized complex functions. I don’t like bloat either, would not be here, if I did.

    But now is piano roll time, the mixer just had its new do. But it would be great, if that one made it on the list for later.

    in reply to: Extend Podium’s track hierarchy concept #13921
    Pigini
    Participant

    That objections from the “already one way to do it”-crowd remind me a bit of the discussions, when some hosts (like massiva) started to offer a simple and quick way to assign your vst’s directly to the tracks, instead of doing it on the mixer screen.

    There are enough examples for more than one way of achieving the same results. I think a host should work a bit like a graphics app for music, giving you all kinds of tools for the creation/manipulation of your data in all the many ways any combination of utilizing those tools allows.

    The more tools and the more ways to combine them, the more ways to do things, where everybody might find his favourite technique.

    Anyway, what Mike suggested was another way of linking functional elements along with a few examples how it could be used.
    For many things it might be even quicker than the other way.
    And I don’t think connecting some already existing functions in a new way, could result in bloat.

    It’s never a bad thing for a host, having some unique features.

    What sounds better in a review?
    “Podium, besides being able of handling all the basic production needs, in addition offers many rather unique and original ways to achieve outstanding results very quickly.”
    OR
    “Podium is an affordable bread and butter host, which offers a solid selection of the most important features and working techniques, which you might know from cubase already.”

    I don’t think, Podium is that host described in the last sentence, but only because Frits wasn’t content with the one way of doing things before.

    in reply to: Podium portable? #13918
    Pigini
    Participant

    EnergyXt and MuLab advertise their usb-stick portability as a feature.
    Could be a selling point for Podium too.
    Might be even a good reason for ppl, who normally use one of the big brother hosts, to buy Podium.

Viewing 15 posts - 76 through 90 (of 206 total)
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