BTW, the layers idea I quite like. For someone who has been trying to finish a skin for a plugin for six or so weeks, I would have to say that it vastly changes the creative paradigm.
Especially seeing as I wasn’t using it for the first five weeks š .
@H-man wrote:
BTW, the layers idea I quite like. For someone who has been trying to finish a skin for a plugin for six or so weeks, I would have to say that it vastly changes the creative paradigm.
It might be a harder one to code, but it seems the best choice for integrating some creative fiddling into podium in a way that fits podiums workflow best.
whatelse could be done with layers?
– layer clips could be “transparent” (adding to the events underneath) or “opaque” (replacing events underneath it).
– “clipped” draggable edges, so the sequence within it could be bigger, the clip range working like a selection window. (it might only show a part of whats on the layer)
– could be merged
Beta4:
Enabling the “show quantization button panel” option in the piano roll region properties will show a panel of shortcut buttons to the left of the piano keyboard. Clicking the buttons will set the editor quantize value. Ctrl+Click will quantize the start of selected events. Alt+Click will set the duration of selected events.
Also added “alt+click+drag left/right to resize” and “alt+click+drag up/down to adjust velocity” options. If you have both these options enabled, then the direction you drag determines which edit action is performed.
Just had a quick look using the beta with the usb-sticked podium, that I can use on my work computer.
The button panel really does the trick for me.
Inputing and editing notes is an absolute joy now, and you found a great place to put the buttons.
Can’t wait having a real session with it on my music computer.
Thank you!!! š
Looking at the quickbutton panel, it occured to me, that it is ideal for disabled/handycapped ppl and would be even better suited if the CTRL and ALT were added there aswell.
Imagine, how much composing music, would mean to you, if you were lying in bed and could only move one hand, and could do everything in a host software like anyone else, without limitations, no hidden special options, which you could not access by the mouse alone. I don’t think any major host ever cared about that. Podium could get lots of free PR by being covered in articles aimed at that clientel, maybe could be even recommended for rehab projects.
..and just how easily could any one of us end up with a broken arm for a while.
Possible slogan:
“Podium – the only vst-host, you really can operate single-handedly.”
@Pigini wrote:
whatelse could be done with layers?
– layer clips could be “transparent” (adding to the events underneath) or “opaque” (replacing events underneath it).
– “clipped” draggable edges, so the sequence within it could be bigger, the clip range working like a selection window. (it might only show a part of whats on the layer)
– could be merged
But IMHO all this can be achieved by putting separate events into child tracks of the track with VSTi, everything needed is already present. Sorry for being in that ‘do not add overlapping or duplicate features’ crowd again š
@Zynewave wrote:
Beta4:
Enabling the “show quantization button panel” option in the piano roll region properties will show a panel of shortcut buttons to the left of the piano keyboard. Clicking the buttons will set the editor quantize value. Ctrl+Click will quantize the start of selected events. Alt+Click will set the duration of selected events.
CTRL-Click & ALT-Click on the quantization buttons.
@Zynewave wrote:
Also added “alt+click+drag left/right to resize” and “alt+click+drag up/down to adjust velocity” options. If you have both these options enabled, then the direction you drag determines which edit action is performed.
…on the drawn midi events.
Am I the only one that missed that? š³ Anyway works great. 8)
@pavouk100 wrote:
@Pigini wrote:
whatelse could be done with layers?
– layer clips could be “transparent” (adding to the events underneath) or “opaque” (replacing events underneath it).
– “clipped” draggable edges, so the sequence within it could be bigger, the clip range working like a selection window. (it might only show a part of whats on the layer)
– could be mergedBut IMHO all this can be achieved by putting separate events into child tracks of the track with VSTi, everything needed is already present. Sorry for being in that ‘do not add overlapping or duplicate features’ crowd again š
š Arrgh, Restistance is futile! š (always wanted to do that..)
š No prob, I first thought it could all be done with tracks myself.
…but then I realized, they are just not as good a solution for some tasks, for others they are not suited at all. (There are 2 posts about possible tasks for layers, and there are surely many more poss., I did not think of)
I don’t have the time right now to elaborate on that in detail. But one thing is, creating a huge amount of tracks in track view and in the mixer, when I just don’t need or want them, really is an unnecessary bloating and crowding with tracks.
(I know, I could do many things to stuff them away, making it look slimmer. But the point is, for the tasks, I’m thinking of, you never want or need them in the first place, with all the mixer channels etc.)
I think including layers would be a major feature and mean quite a big amount of work for Frits, but IMHO they would fit into Podiums basic concept, adding a third dimension to it. I see it like another basic element, to open up lots of ways to use it and to combine it with other elements in podium.
I’m not “urging” the whole layer stuff into the discussion, but as a possible thing, that could be added to the piano roll, I felt it belonged into “our bag of ideas”.
Edit: In all the references regarding possible uses of layers, I was exclusively thinking of advanced fiddling with the midi data in the piano roll. Maybe that was not completely clear.
Next up is resizing all selected notes when using the mouse to resize one of the selected events. One question though:
Say you have two note events selected, one longer than the other. What should happen if you click the longer note and drag the size shorter than the other selected note. Should the shorter note be deleted, or should it be set to zero duration producing only a short click when played back?
I would prefer that the shorter note was not deleted. Perhaps the duration of the shorter note could be a default minimum of the quantise value?
I don’t know if there is a one-size-fits-all for this however I wouldn’t want to lose any of those ‘happy accidents’ ….accidentally.
What about proportional size reduction?
@Zynewave wrote:
Next up is resizing all selected notes when using the mouse to resize one of the selected events. One question though:
Say you have two note events selected, one longer than the other. What should happen if you click the longer note and drag the size shorter than the other selected note. Should the shorter note be deleted, or should it be set to zero duration producing only a short click when played back?
I think it should shorten until a certain minimum is reached. If quantization was on, setting the minimum to the quantization value sounds fine, if not the minimum could possibly be defined somewhere where it could be changed, if needed. Does not need a prominent place in the preferences, the default could be something practical for most (1/128 note?).
Setting it to zero duration or deleting the note sounds not very desirable to me.
Another thing about changing durations for multiple selected notes:
I remember in muzys after resizing a box appeared, where one could choose how the duration change should be done.
absolute: sets durations of all selected notes to the value of the changed note.
relative: subtract the same amount from every note, like from the changed note.
percent: that’s the thing most hosts have, it scales every selected note proportionally.
Maybe in podium a similar choice of behaviours could be included?
edited:spelling
The minimal lenth of notes should be the snap value, if snap if off then leave the note as a simple click sound.
By example, snap on at 1/16. If you have two notes selected, 1/8 and 1/16 and you get short them, the next step would be 1/16 and 1/16. Now if you want do them longer both notes would be 1/8 and 1/8.
This is how work in the most host I’ve tried before found Podium.
I don’t mind the minimal value examples, set in snap or such. But also, I’ve seen software (I believe) shrink the large note only as much as the small note can shrink. In other words if you have a note with length 2 and a note with length 3 and reduced it as much as possible, the larger note 3 would only reduce to length 1.
If you don’t do it this way, then I ask what happens if they then stretch the longer note even smaller while the small one remains unchanged, and then stretch it out again? Then both notes could end up the same size, if you stretched the 3 length one to 0, which would also reduce the 2 length one to 0, and then stretched out by 2, would the long AND short one be length 2, or would the longer one be length 2 and the shorter one only 1, maintaining the same distance between them?
That still leaves the problem of the 0 note length. I don’t think that’s healthy, but I’m not sure I like the minimum snap value thing either. Honestly, I’m not sure which side I sit here.
As for maintaining a ratio, I suppose that could be useful in some instances, but I think in too many cases it could be unwanted. I have often, when composing, gone to reduce all notes in a clip by, say a quarter length, no matter their length. Ratio stuff means I would then need to select notes only of that same length to adjust them, or I will get unexpected results for me.
@druid wrote:
If you don’t do it this way, then I ask what happens if they then stretch the longer note even smaller while the small one remains unchanged, and then stretch it out again? Then both notes could end up the same size, if you stretched the 3 length one to 0, which would also reduce the 2 length one to 0, and then stretched out by 2, would the long AND short one be length 2, or would the longer one be length 2 and the shorter one only 1, maintaining the same distance between them?
The values get set when you release the mouse button, if you don’t like the result, you would undo it first and do the resize again. As long as the mouse button is constantly pressed, the original sizes (ratio) are not messed up.
@druid wrote:
As for maintaining a ratio, I suppose that could be useful in some instances, but I think in too many cases it could be unwanted. I have often, when composing, gone to reduce all notes in a clip by, say a quarter length, no matter their length. Ratio stuff means I would then need to select notes only of that same length to adjust them, or I will get unexpected results for me.
So what you do often, is what I called
“relative: subtract the same amount from every note, like from the changed note”
in the examples above. Would be good to have that.
The proportionally scaling, however, I think, gets used even more often.
I usually need it to scale the durations according to the sound with which the notes get played. With many sounds, you need the notes quite a bit shorter than they are and the best point lies often between standard values.
If you need to keep the original unmodified sequence, copy it to another (muted) track. …(hmmm wouldn’t it be better keeping it on an inactive layer? or better: let the original sequence untouched, have edited events on different layers on top of the original ones automatically. š )