Mono to stereo plugin that acts as mono to mono is one of the problems and let’s leave it alone for now (I just wanted to know why is that so).
Main problem:
Mono to mono plugin in return section – meter should be showing two bars (for both channels) or maybe not, it’s not important what it shows after all, as long as pan is enabled (and it should be enabled, don’t matter if it’s pre, post fader or whatever).
mono track, post everything>mono return (mono to mono fx) post everything – pan return
or optionally, both or one of the channels pre fader/post fx – it should work in every scenario.
Does anybody else have these problems?
Thanks
When I choose a mono to mono or a mono to stereo plugin and touch nothing else, the meter is showing a single bar and the pan knob is grayed out.
Thanks for your answer!
Just create a return for a mono track, pick any mono to mono plugin (reverb is what we’re talking about, but it’s the same with all mono to mono plugins), send some signal and you’ll see what happens.
Same goes for mono to stereo plugins – I don’t need to pan that, but Podium “sees” them as mono to mono (only in return section) π
Cheers, Alex
BUMP
BUMP
Tnx! Found it in some drop down menu. Why can every channel be moved easily with the right click except for the master?
Changed my mind and took a ride to the city with a good equipped music store (didn’t want to buy anything before I try it). So, I checked M-audio BX5, KRK ROKIT 5 and YAMAHA HS50m (I had a couple of my mixes with me). M audios were out of the game immediately (but they’re the cheapest pair and not really bad or something). Actually, it was easy for me to make a choice (not because of the white cones or because I’m biased towards Yamaha speakers ). KRKs are good and this was really a matter of personal preference (they have too much bottom end somehow and that’s what I didn’t like, but maybe it’s just me – NS10’s have low frequency drop).
Iβm posting just to say that Iβm really happy with them, so if youβre looking for a cheap pair of monitors you maybe want to check hs50βs (recommended).
Cheers, Alex
delited
Update:
(not posting to back up what I said I thought about Adobe’s motives to offer their software for free)
A lot of people were worried because one of Adobe representatives posted on their forums that using the software was illegal for the people who were not licensed users. No worries – the whole thread has been deleted.
edited to add:
No one is now saying it is legal, though (and probably no one ever will, but everything is much clearer now, imo).
@The Telenator wrote:
Whatever their reasons and motives were at Adobe, I agree it is nice they are offering all their legacy software.
:-k
@alex wrote:
I was really pissed because the good old CEP was freeware for some time, and they made it again not to be as they bought it (it was the first app I worked with) – the first version of AA was nothing but CEP 2.1, and later when they made some improvements there was no upgrade path for licensed CEP users.
Not literary, but it seems that history repeats itself – now they’re offering an outdated version of software as freeware (saying it’s not freeware at the same time) hoping that people will get used to use it and then feel the need to get the newest version. hehe π
Well. Almost the same here. Although I really enjoyed remembering CEP days, AA3 remained unused from the day I installed it. And it would feel strange to use it knowing it ain’t really freeware.
Cheers, Alex
P.S. And you’re really right about installing new stuff. I’m only going to have REAPER and SF on my pc and of coarse I’m gonna keep Podium free and install the new version of Wavosaur on my old PC that runs XP (it will be all freeware studio with only free plugs, samples… and my online machine).
I just gotta chime in and say that I really enjoy reading this thread. Whole lotta interesting stuff here.
Keep up the good work!
Cheers, Alex
I realized I was talking about some less important AA’s features in my little off the top of my head “review” (and some problems I could remember about). So, here’s a nice (real) review:
http://www.musicradar.com/gear/tech/computers-software/audio-editors/audition-3-151070
Cheers, Alex