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Viewing 15 posts - 76 through 90 (of 131 total)
  • in reply to: Technology preview: Podium running on iOS & Android #22520
    alex
    Participant

    @Zynewave wrote:

    I agree that an iPhone on a train is never going to replace professional production in a studio, but for the creative tunemakers, it is a revelation to be able to grab your mobile device and record/compose when inspiration strikes you.

    When inspiration strikes me and I’m not in the studio I use a pen and a piece of music paper that I always carry in the pocket.

    Anyway, good luck with everything you do!

    in reply to: Don’t miss this #22517
    alex
    Participant

    @The Telenator wrote:

    At this point, I think it’s well worth mentioning Stillwell and Scwa’s website. If you don’t mind paying perhaps as much as $35USD for some compressors that totally rival the gang of the $200-300 range of compressor plugins, this is the place.

    http://www.stillwellaudio.com/?page_id=28

    Good point. Great plugs. I still haven’t bought any of them and uninstalled them (even though they, just like REAPER, let you evaluate forever). And really, they’re more than reasonably priced.

    in reply to: Drum Replacement Question #22513
    alex
    Participant

    Doesn’t matter. I downloaded REAPER. Those songs won’t mix themselves – they never do. And, that’s gonna be a nice New Year’s present, from me to me :mrgreen:

    in reply to: Don’t miss this #22511
    alex
    Participant

    Has anybody managed to load OneKnob Louder into Podium? I haven’t, but I’ve managed to check it out πŸ˜€

    I was wrong when I guessed what this plugin would be. No L anything in it and no ceiling – it’s not a brickwall limiter and can clip.

    It makes things loud and sounds nice but when pushed hard it brings distortion and pumping (even before clipping). So, what’s it good for? As they say (nothing new), for tracks with weak level it’s better to increase RMS than just boost the peaks (which can be and is done with other compressors and limiters but this one makes it fast and easy to do). Other than that….. :-k …. I don’t know. Drum bus, maybe (wouldn’t be my first choice, though). However, it’s just me and I’m sure somebody will find it useful (I bet every DJ’s gonna love it, but we’re talking mixing here and not even live mixing).

    And let’s not forget – it’s a gift, so: Thanks Waves!

    BTW, Waves made me sad this time – Musician 2 bundle that contains Rcomp which I like so much and Req, Super Tap, Doubler … as a bonus, was offered for $49 (regular price $160) πŸ˜₯ (flat broke these days). But, there’s always a next time :D…. (and it seems that Neve (40% off this time), SSL and API (also 40% off) will become affordable for me at some point (not anytime soon, unfortunately, but, one never knows….), and that’s what I really want to owe + Rcomp and both Rbass and MaxxBass…. :-k … L2 would also be nice … and … 😈 …. no, end of the list).

    So, I still like Waves plugins very much. I don’t like Signature and OneKnob series, though. And this makes me think of a question I asked once and nobody cared to answer:

    @alex wrote:

    So, now I see it this way – every once in a while I like to find a new plugin and play with it for some time, but I always come back to my old plugins when I do some serious work.

    And that brings me to a conclusion. I think everything’s gone far enough or maybe even as far as it gets. I mean, they can’t invent something really new so easily, can they? It’s not necessary a bad thing imo – what we can use for free or buy now is already great quality, and I can’t imagine it can be far better or different. What do you think about that?

    Cheers

    P.S. There’s a rumor that the upcoming one knob plugin will e mail your mix right to a real engineer :mrgreen:

    in reply to: Don’t miss this #22509
    alex
    Participant

    One more thing I want to tell you: external sidechaining in Podium is very simple. Let’s say you want to use the kick to duck the bass. Just go to Inspector (or mixer) and for the kick choose ”#1side in” instance of the compressor you want to use and ”#1” for the bass. Now, they make a single compressor. Send some signal from the kick and you’re good to go (not really, you still need to set compressor to work in external side chain mode, but that’s easy to do and different for different compressors. I’ve told you how it’s done with Reacomp and RadPhattPro).

    Hope this helps.

    Cheers!

    in reply to: Don’t miss this #22508
    alex
    Participant

    Well, that’s what I thought.

    I’ve already told you this – for external side-chaining, you should try Reacomp (the whole bundle is great):

    http://www.reaper.fm/reaplugs/

    (just make sure to set Detector input to Auxiliary input L+R for external side-chaining)

    RadPhattPro (another great bundle)

    http://www.jeroenbreebaart.com/

    (you have sidech knob on this one)

    They both have pass filters on board and you can monitor the input ( Reacomp – Preview filter and RadPhattPro -Lstn).
    I know that C1 has more and better filters and split mode and …. , but you can use that anyway, that’s not so important for external side-chaining.

    Believe me, you may like those two just as much as you like C1.

    Cheers

    in reply to: Don’t miss this #22506
    alex
    Participant

    @sobaka wrote:

    Thanks for the news ,..good birthday gift πŸ˜€ …

    You’re welcome!

    @sobaka wrote:

    I only have 2 plugins from waves :
    С1 & Eddie Kramer on the Drum Channel
    and they work fine
    side – chain C1 is not working or am I doing wrong …

    As I’ve already told you: you’re doing nothing wrong – external side-chaining works only in PT, and that’s it. Sorry (I don’t like that limitation either, but that’s the way it is).

    Yes, I said couple of words about Signature Series.
    Eddie Kramer on the Drum Channel is one of one knob plugins (not literary, you have a few knobs on that plug, but that’s the same idea). You just have one knob for compressor (no attack time, release time, ratio, threshold…. ), one for gate (same thing), and one knob eq (no q or frequency) right? So, you just have to choose kick, snare, hats ….
    I’ve never had the chance to try some of Signature Series or OneKnob series plugins and don’t like the one knob idea so much tbh (don’t get me wrong, but I like to have many options, especially when were talking compressors and eqs), but just out of curiosity: Do they sound good? Do you feel limited by the lack of all controls for compressors, eqs etc?

    Cheers

    P.S. BTW, As I’ve already said, I think that one knob is enough for maximizer, limiter or whatever you might call it and I can hardly wait to try this one πŸ˜€ πŸ˜€ πŸ˜€

    in reply to: Don’t miss this #22502
    alex
    Participant

    @The Telenator wrote:

    Can anyone confirm that WAVES plugins even work in Podium?

    I certainly can not, but since sobaca asked in this thread

    http://www.zynewave.com/forum/viewtopic.php?t=2982

    why external sidechaining with C1 doesn’t work, for me, that means that he managed to load it and use it in Podium.

    They certainly work in your Reaper.

    I never tried one knobs plugins (there’re 5 of them in the bundle that costs $400). Those are all simplified versions of their old plugins , so you can expect this one to be L something (probably 2 or 3, because this plugin must have auto release). Btw, one knob thing started to happen with their signature series (haven’t tested, either, but I watched some videos and there is one knob “compress” or “bass” or “air” or “reverb” or whatever on those plugs.

    Some people call one knob plugins “plugins for idiots” since everything’s done with only one knob (and I tend to agree with them to some degree – those plugins are made for people who need quick solutions or don’t really know how to use eqs, compressors etc or think those plugins will help them sound like some of the famous engineers who put their names on those plugs).

    On the other hand, brickwall limiters are simple plugins, anyway (most of mastering limiters have auto release and this time they took care of ceiling also, so you actually work only with threshold).

    The first one knob plugin I’ve ever seen is Abbey Road Brilliance (I think). It’s actually emulation of a small box with only high filter in it, and in the old days, they made it to be able to carry it from room to room and try to give some more “professional” sound to mixes.

    @The Telenator wrote:

    I know some people rate Waves plugins very highly, but I wouldn’t do any business with them if you paid me.

    I am one of those people, as I’ve already said in the thread linked above and I also know some people think they are not good.

    However, I think this plugin is really a nice gift (both for those who like Waves plugins and those who don’t).

    @The Telenator wrote:

    Personally, I think their plugins are both ugly and very overrated.

    May I suggest that you simply don’t subscribe and download that plugin (you don’t even like it, you’re so concerned if it’s gonna work and I don’t think you can expect any costumer support from anybody, not only Waves for any free plugin (and in this case in those couple of days it is a free plugin).

    Cheers, Alex

    in reply to: track monitoring #22496
    alex
    Participant

    @Zynewave wrote:

    If you’re using the latest Podium Free 2.42 version, then it should be possible by bypassing the input mapping on the track. Podium 2.37 had this new feature:

    “The input bypass button has been changed to only disable monitoring instead of disabling recording. An audio input that is monitored through external hardware can thus be silenced in the Podium mixer during recording.”

    It works. Great! Every good DAW must have this feature πŸ˜€

    in reply to: track monitoring #22482
    alex
    Participant

    @The Telenator wrote:

    . Have you all tested your machines with the DPC Latency Checker?

    http://www.zynewave.com/forum/viewtopic.php?t=2974

    πŸ˜‰

    in reply to: track monitoring #22478
    alex
    Participant

    O.K. It’s clear now.

    I have both Podcast Factory and Fast Track (that’s the same interface, actually). I see that you have a powerful machine and I must tell you I’ve never had any latency problems with 2 gigs single core processor and 1.5 gigs of RAM (I’m getting myself the new machine with similar specs like yours soon :D). I’m telling you this because it seems that your interface is not the problem. I had a whole lotta problems with M-Audio Asio drivers, though (not latency issues but clicks and crackles and such). Currently, I use M-audio usb Asio and buffer size is 512 samples (I could get away with 256, but I have no need to do that). However, it started making problems recently:

    http://www.zynewave.com/forum/viewtopic.php?t=2968

    So, it’s a good idea to always have asio4all installed.

    @corrupt wrote:

    After playing back a few times and recording a few tracks I also find that the audio suddenly becomes extremely distorted. Closing and reopening Podium and continuing with the same settings seems to temporarily resolve the issue…

    That could be the driver issue. Reinstalling helps sometimes, but you could also check if the same thing happens with asio4all.

    http://www.asio4all.com/

    I still use 2.10, but everybody says that the new beta works fine.

    The lack of multiprocessing could be the answer, but you will have to wait for someone else to confirm or deny that.

    Again, I must tell you that simple vst plugs bring no latency (1 sample, maybe), but that’s not the way to solve this problem (not a good one).

    Anyway, you’ll see there’s a few people in this forum who know a lot about many things and are willing to help, and I expect some of them to come up with some explanation, soon.

    Cheers

    P.S. Even though M audio Fast Track is a great budget audio interface (you’ll never need anything better at home for mixing and recording using instrument in or balanced line in), if you want to record using a mic, it would be good to get a really good mic preamp(s), and a really good mic(s) (those two things are really, really important). That does’t mean that you can’t use Fast Track for that task, but you mentioned you was gonna pick another device .

    edited to add:

    Not everything have to be ridiculously expensive – when we’re talking dynamic mics, the good old 57 is still a must have mic in every serious recording studio, and not only because of its price (about $100) πŸ˜‰

    in reply to: track monitoring #22476
    alex
    Participant

    Hi!

    I think I understand what you’re talking about. I can do that because I have the knob on my interface that lets me monitor my guitar directly thru my interface or thru the software, as you say (or mix those two).

    Now, I wouldn’t like to do that for many reasons: I couldn’t hear the metronome or/and music. If I wanted to record my guitar directly thru instrument in, I would have to listen to the sound of guitar pickups ….. and if I turned it halfway, I would still hear guitar both directly thru the interface and the software. Btw, you can put an eq or any other plugin and turn the volume down, mute the output that way and still record whatever you want to and it doesn’t add more latency. That doesn’t solve the problem either, because you’re recording with the latency that already exists (you only can’t hear it).

    I don’t really know if this helps, since I don’t know what interface you use and what you want to record (I don’t even understand how you manage to hear your instrument both directly thru your interface and Podium if you don’t have the control I described). Anyways, the right way to do things would be to do everything inside Podium and try to lower the latency as much as possible.

    I hope this helps, somehow (I even hope that I didn’t understand your question correctly )

    Cheers

    in reply to: A Really Transparent Brickwall limiter #22475
    alex
    Participant

    You’re welcome!

    This little plugin is really awesome. I spent quite some time trying to find a (free) transparent mastering limiter. They could charge some money for this one imo. And best of all, it fulfilled the short list of free limiters that I use (W1, Barricade Pro, LimiterNo6). Now, I have everything I need πŸ˜€

    in reply to: S-Gear 2: Awesome Guitar Plugins #22472
    alex
    Participant

    @The Telenator wrote:

    Biggest news is that S-Gear 2.11 is going to be $99 US after the end of 2012. It is still $79 until the end of the year.

    Tnx for the tip!

    I’m not a big fan of “try before buy”, when I actually don’t have the money to buy after I’ve tried, but I think I’m gonna do it this time, though.

    Santa, I’ve been good! And don’t be late – it could cost ya 20 bucks! πŸ˜†

    in reply to: Cubase 7 Coming in December #22469
    alex
    Participant

    @The Telenator wrote:

    Don’t cry, sobaka . . . Cubase has finally added a real mixer panel to the new 7. It’s a clear improvement. And it looks . . . gee, it looks just like what REAPER has offered since version 3.x.

    πŸ˜† πŸ˜† πŸ˜† πŸ˜† πŸ˜† πŸ˜†

    +1

Viewing 15 posts - 76 through 90 (of 131 total)
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