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ZynewaveKeymasterBit resolution is 32 bit floating…
That is because it is configured as a bounce track. If you enter the track properties for the track and remove the bounce mode option, then any audio you record onto the track will be set to the proper bit resolution for your soundcard inputs.
Did you notice my previous reply in this topic?
What should happen if I click on “open sound editor” from that panel? I get a blank box regardless of the wav object I do this to.
Are you referring to the ‘open sound editor’ command in the context menu for the sound event? That command should open a slave sound editor, same as if you double-click the event on the track. If you double click the sound object in the list panel, this will open the sound in a master editor (with transport toolbar and no links to the arrangement). If you get a completely empty editor window, then the sequence profiles have been messed up. You can fix that by loading the default setup.
ZynewaveKeymasterOoh, hang on. I just took another look at your project file. The audio track you are recording onto is bounce enabled. Meaning that even though you have an audio input on the track, the recorded sound will be treated as a bounce track, so it will only play if you activate the B button. You should generally not enable the bounce mode on regular audio tracks.
ZynewaveKeymasterOk, I’m glad its not due to the disk loading. When you say you hear no sound, do you mean just the recorded track, or are all the other tracks also silent? If there is no sound at all, try bypassing the Ozone plugin you have on the master track.
What is the bit-resolution of your recorded sound file? You can find that info in the sound properties dialog.
ZynewaveKeymasterGot it. The routing of your problematic audio track up to the master out appears to be fine. The problem may be exhausted disk access. Without changing anything on the problematic audio track, try deleting some of the other bounced audio tracks (keep a backup), and see if this will make the track play eventually. If this is the case then I will devote release 1.53 to optimizing disk loading. I would also add a disk load percentage indication next to the CPU indicator, so you at least know if a problem is due to excessive disk access.
ZynewaveKeymasterCan you email me your project file, or a screenshot of the track layout? You don’t have to attach the wave file.
ZynewaveKeymasterclick and hold left mouse button anywhere in the tracks area with the selection tool. Then start to scroll mousewheel up&down, up&down (do not release left mouse button). The grayed selection area will change it’s size abnormally and then will start to move with the screen up and down instead of expanding/shrinking.
Hehe, good one. The marquee coordinates are not updated when scrolling the display. Will fix it for the next release.
ZynewaveKeymasterHi Darcy,
I’m glad to hear you’ve decided to go with Podium.
For a start plugs I would be looking for include:
Single and multi band eq
Single and multiband compression
Reverb
Delay
ChorusI don’t have any recommendations, but I thought I’d mention that I’m currently working on some basic plugins designed for use with Podium. These plugins will have an editor that is integrated into the track inspector. The next release will have support for VST 2.4 with 64-bit processing, and to test this I have made a simple parametric EQ that supports 64-bit processing. The EQ plugin will not be included in the next 1.52 release, but soon after.
ZynewaveKeymasterAny chance of say for example, splitting bounce tracks into two halves, whereby you can move bits you want to keep to the upper half and when you render a bounce it just writes the lower half? At the moment I just move the bits I want to keep to another track but it isn’t so organised.
As I understand it, you want two lanes on a single track. That is not going to be easy, and I think it also would bring another source for confusion into the hierarchy. If you keep your doubled track above the bounce track, on the same group level, it will be close to your dual lane track idea.
Almost finished making my first track on podium, it’s working great. Will post it up in the general chat area when I’m done.
8)
ZynewaveKeymasterIf I were to change the preset within Amplitube would I have to then create a new preset within Podium?
No, just leave the ‘sync’ button enabled.
ZynewaveKeymasterWhat Max said.
I think this must be the single-most confusing aspect of Podium, judging from the number of support questions concerning storing plugin settings. I’m going to improve the plugin preset system soon.
ZynewaveKeymasterThanks for the input Joachim. I’ve copied your post and I’ll work through it at some point.
1 Poly MIDI track -> X Mono MIDI tracks?
I’m assuming you are talking about playing chords on a monophonic synth (and not multitimbrality).
Too ambitious?
I think so. It will be difficult to implement an automatic separation of notes that overlap and put them in separate sequences. This would depend on release times of notes in the synth, and Podium would not know about this. Cut and paste, trial and error, using your ears 😉
– Impossible to change Podium’s metronome audio output routing?
What about the metronome settings in the preferences dialog?
Move selected events possible, but what about resize (note on as well as note off for instance)?
On the list. You can use the ctrl+plus/minus keys to change duration of all selected events.
ZynewaveKeymasterThere should be no crackling in the demo. Are you using ASIO drivers? Does the crackling go away if you increase the buffer size?
ZynewaveKeymasterIt seems a worrying growing number of high-quality plug-ins have their own built-in patch selectors and don’t announce the names of their patches to the host
And it’s mostly instruments using huge sample-sets. One reason could be that the instrument doesn’t know the number of programs and their names before they are loaded from disk. The VST spec requires that the plugin announces the exact number of programs it supports during initialization.
When do you expect to have this feature enabled?
Hopefully within a couple of months.
ZynewaveKeymasterSo at the moment I would have to create a new preset each time I wanted to use a patch in Stylus or Atmosphere.
Yes. You need to create a library preset for every track you use with an instance of the plugin. You don’t have to create a new library preset every time you change presets in the plugin browser.
Every other host I use remembers the patch automatically as part of the Project. Are you planning to implement support for this type of use?
I do intend to support ‘invisible’ presets. If you do not assign a preset object to the track, the plugin settings could be stored as a hidden property of the track. That way you can ignore library presets if you don’t want to reuse presets between tracks.
February 25, 2006 at 02:13 in reply to: Big request can’t find any product available to deliver #6204ZynewaveKeymaster@suges wrote:
Here’s the license application link for ReWire:
Just writing this to be helpful…I not only don’t care if ReWire is implemented or not, I think Reason sucks and so does the whole clunky ReWire concept. But everybody else loves it so hope this helps!
I have been through that licensing page. You are required to fax in the signed license, and this is what I emailed Propellerheads about. No reply.