Beta 4:
Mouse wheel can be used to adjust gain, pan, send and parameter faders in the mixer. Holding the Shift key will fine adjust. Gain faders are adjusted in 1 dB steps, and 0.1 dB fine steps.
Ctrl+clicking a parameter fader in the mixer will set it to the default value.
@Pigini wrote:
@Zynewave wrote:
The problem is that it is not implemented. Only the timing clock is transmitted, which can be used to sync e.g. external delay units to the Podium tempo. Start/stop messages are not transmitted. With my current todo list, it’s going to be a long time before I have time to add support for this.
Are Start/stop messages difficult to implement? It seems such a basic thing. I would have thought it was just overlooked at the time, but not that it was hard to do.
Not particularly difficult. It’s just that there are so many non-difficult things on my todo list. Lately it feels like that for every feature I implement, two new requests are added to the list. I’ll have to put some of the requests that are only relevant to a small percentage of Podium users on a todo-in-the-future list.
@Trancit wrote:
But you should definetely consider mousewheel support as well for plugin windows…the mousewheel controls the window which has focus on…
I don’t know why some plugins support mouse wheel only in some hosts. As far as I have tested, I am not doing anything in Podium that should prevent a plugin editor from supporting mouse wheel.
I’m currently implementing support for controlling sliders/faders with mousewheel in the mixer. I’m only planning to support it in the mixer, as I think mousewheel slider adjustments in the rack and track lane headers would conflict with the normal use of mousewheel for scrolling up/down in the track list.
The latest news I heard about Poise, was that the developer had found a new way to support mousewheel.
@swindus wrote:
There is a problem with sending MIDI clock/start/stop. Podium sends MIDI messages to the MIDI clock enabled output but the external device does not start playback (in my case a MIDI hardware sequencer). With Reaper or Studio One the external device slaves perfect to the sequencer playback.
The problem is that it is not implemented. Only the timing clock is transmitted, which can be used to sync e.g. external delay units to the Podium tempo. Start/stop messages are not transmitted. With my current todo list, it’s going to be a long time before I have time to add support for this.
That’s the way it used to work. You had to manually create the sound event on the bounce track, either by doing an offline bounce first, or by drawing in the sound event. This behaviour was changed in Podium 2.35. It is no longer necessary to manually create the realtime bounce sound event. Will be available in the next Podium Free 2.35 release.
@thcilnnahoj wrote:
The parameter automation chapter got revamped! I’m sure I’ve missed things, but it should be ready for review anyway. I’ve changed my screenshot naming scheme to include the version number instead of the date.
Many thanks. I’ve now revised the text, and added extra info on the mixer faders in a new section. My revision is now ready for review 🙂
Hi,
The fluctuation you hear is caused by the algorithm that tries to find the best overlaps in the repeated waveform splices. It will depend on the source waveform, and it is not something that can be synced to host tempo.
Frits
Thanks, and welcome to the VIP club 🙂
@Malcolm Jacobson wrote:
The only thing I still find confusing is the behaviour after bounce. If I enable Realtime Bounce (my preferred bounce method when jamming with VSTi’s) then enter Record, the audio file is displayed while recording – but disappears when I press Stop. I think this is very confusing behaviour, and the first couple of times I tried it I thought I had done something wrong. It took me a few goes before I found out I had to enable the playback of bounced audio after recording in order to view/listen to the bounced track.
Could this behaviour be changed (even if it’s something that can be enabled by preference) so that the audio is displayed and plays back automatically after creating a bounced recording?
I’m not sure what the best solution is to this. Suppose you have disabled the “deactivate record mode when playback is stopped” option: When you stop playback (with record mode still enabled), should the bounce record mode stay activated in case you want to continue recording, or should it switch to bounce playback?
Or should it be the deactivation of the transport toolbar record button that switches to bounce playback? And what if you switched record mode on/off without recording anything?
Suggestions anyone?
Cool. Do you plan to make more production videos?
@ronin wrote:
There is another thing on my mind:
Personally I think the selected input should only be activated when the track is armed (no monitoring and no input metering while unarmed). The tooltip on the record button already implies this behavior.
Hmm, :-k . Doing that would mean you could not set up an audio input to act just as a live feed (perhaps from a talk-back mic in a booth). Once you start recording on other tracks, you would unintentionally record the live feed track.
Anyone have an opinion on this?
Podium can send MTC (MIDI Time Code), so if you have an interface that can convert MTC to SMPTE, you should be able to slave an external SMPTE recorder to the Podium transport.
Beta3 is up. I managed to reproduce the silent recording bug with another soundcard interface I had. I’m 99% sure the bug is fixed now.
@thcilnnahoj wrote:
@Zynewave wrote:
The width of the meters in the mixer will resize according to the zoom setting.
Nice, but personally, I wouldn’t say no to even wider meters. 😉 It’s also a shame that the currently biggest meter size is only available when the strips are zoomed to 300%, because they would fit inside strips at a smaller zoom level already, and thus you could save some space.
The meters resized with the same percentage as the strip widths. This was to ensure that even a 32-channel input meter would not grow larger than the zoomed strip width. I’ve changed it so that mono/stereo meters increase at a larger rate, and 3-8 channel meters increase at a slightly larger rate.
Beta2 is up. I’ve fixed a bug that I’m pretty sure is the cause for the silent recording problem. Let me know if you still have problems.
New additions in beta2:
The background of input meters are tinted with the record color.
The width of the meters in the mixer will resize according to the zoom setting.