I’m not entirely sure I understand what you’re describing :wink:, but here goes:
With Poise, you can have up to 16 MIDI inputs and 16 stereo-pair audio outputs, no problem. 🙂
I downloaded your project file and noticed both of the midi tracks you programmed are played through Poise’s first stereo output (Poise (#1) Out 1+2).
Since you have outputs 3+4 selected on track 4, I guess you wanted to split the outputs of your two MIDI channels – for this you need to assign the correct output channel to whichever drum pads you need to.
In this picture, I assigned the two samples (hi-hat open & closed) triggered by the MIDI clip on track 2 to Poise’s output pair no. 2. You do this by dragging the ‘control’ I encircled red on Poise’s GUI up/down.
Right, I hope this helps a little. I don’t know what you mean by “I tried to create another preset in the Library and assign one preset to Track1 and other to Track2“, however, the error you get in your screenshot is normal, since you tried to assign two presets to one plug-in at once!
Another thing – you can, of course, also place MIDI clips on the tracks Poise outputs audio to.
About your second problem, it’s probably best to ask Shannon (Poise developer) about that. 😕
I can only say I had no such error when loading your project file and the samples you embedded played just fine…
@LiquidProj3ct wrote:
If I understand correctly, I don’t believe that they clash at all, due to the actual ghost notes haven’t any information in their color about velocity (they’re all the same grey)
But the notes in your currently selected midi clip do – I think that colored ghost notes could create confusion here.
You’d have to limit your color choices for tracks, which again is impossible when pretty much the whole spectrum is covered by velocity levels – like in my screenshot below.
(Example: the first two tracks’ colors shine through at about 50%.
Personally, I think it’d distract more than help. :?)
Another one: MIDI Scalpel tool, for the IDM and breakbeat guys among us. 😛
Or is there already a way to split notes?
I have nothing to add other than you got your colors wrong! 😀
Jupiter Jones, First Investigator
Pete Crenshaw, Second Investigator
Bob Andrews, Records and Research
(Sorry, I had to. :))
This’ll get some getting used to for me as I don’t need freezing (=conserving CPU power) as much as rendering midi and effects to audio for further editing (=chopping it up). But as long as the bounce track/file can be unhidden it’s all good. 🙂
I’ll just say that the bounced overlay needs to be visually emphasized more.
It can be kind of hard to notice with lower volume, which I’d say most people use during mixing:
Dunno how much work this would be, but maybe the waveform could be tinted with the parent track’s color or the bounce button color?
